music

Playlist of the month: Funeral songs

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It’s time for the fifth instalment of my playlist of the month. Whereas last month was a mostly upbeat selection of songs about alcohol, this month is a little different.

Please note that this blog post carries a trigger warning for death and suicide. Please don’t feel that you have to read this if you’re not in the right head space to do so.

Ten years ago, my good friend Dave Jennings passed away. His death, from a heart attack, was completely unexpected and I still miss him even now. Dave was a music journalist, and his review of a record as a ‘daft, punky thrash’ may have inspired Daft Punk’s name.

At his funeral, there were two songs that I remember:

  • Always On My Mind by Pet Shop Boys. This played during the service, and whilst it’s a typical upbeat synth-pop song from the Pet Shop Boys, the lyrics took on a new poignancy that day.
  • Changes by David Bowie. Dave was always a massive Bowie fan. Sadly he wasn’t alive for the release of Bowie’s final album, Blackstar, which I’m sure he would have loved. This played as we entered the chapel at the crematorium.

To this, I’m adding the three songs that I would choose to have played at my funeral, in the hopefully highly unlikely event that this happens any time soon:

  • Good Riddance (Time of Your Life) by Green Day. “It’s somethin’ unpredictable, but in the end is right / I hope you had the time of your life”.
  • One More Light by Linkin’ Park. The title song of their final studio album, about showing that you care about someone even though they’re not here anymore. Hearing this following lead singer Chester Bennington’s suicide makes it all the more heartbreaking.
  • Whole World Is Watching by Within Temptation. Yes, I had to have a song by my favourite band on this list. It’s a duet, and probably their most radio-friendly song to date.

Build Something Better by Grace Petrie

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Album cover for Grace Petrie's Build Something Better

There’s a new album out by queer folk singer Grace Petrie this week, called Build Something Better, and I think you should buy it.

Grace is someone who I’ve seen live a couple of times, mostly supporting Josie Long on tour. She’s always fantastic to see live; not just because her music is great, but because she can work a crowd between songs. I was not at all surprised when she did a stand-up comedy show at the Edinburgh Fringe Festival in 2022 called Butch Ado About Nothing. Of her previous songs, Black Tie, from her 2018 album Queer as Folk is the one that probably resonates the most with me.

Her last album, Connectivity, reached in the UK album charts without much promotion. Grace is not on a major label – hence the links to her music on Bandcamp – and I gather its appearance in the top 40 was a surprise for her. This time, for Build Something Better, Grace is aiming to get into the charts again. So, if you can, please buy the album today or tomorrow, to give it the best chance of charting.

You can stream Build Something Better on Spotify if you want, or I suppose you can buy it on Amazon (sponsored link). But if you buy it on Bandcamp, you can pay more and more of your money goes to Grace. And it’s available in a variety of music formats, including lossless audio, if that’s your thing, with no digital rights management. However, if you do buy it from Bandcamp, make sure you download it, as simply purchasing the music isn’t enough to count for charts.

I’ve had a listen to a few of the songs so far, having bought it at the weekend, and I’m enjoying them so far. It’s already at Number 17 in the midweek charts, so a few more sales could get it into the top 10.

Pop Music Activism

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Screenshot of the Pop Music Activism web site

Have you ever been frustrated that some older music isn’t available on digital platforms like Spotify or iTunes? You’re not alone, and Pop Music Activism is trying to do something about it.

There are several reasons why music is missing from these platforms, and indeed there’s a list of the common ones. A lot of dance music from the 1990s and 2000s is missing, and this is often because songs were released by different labels in different countries. It wasn’t until the late 2000s that Spotify came along.

For some artists and bands, you may find their albums there, but not their singles. So remixes and b-sides are harder to come by. Or you may find that the song you want appears in a web search, but when you follow the link, it’s been geo-blocked.

This is where Pop Music Activism comes in. They track down who has the rights, and politely badger them to get the music online. And it works – the home page of the web site has hundreds of releases that are now available to legally stream and download. There have been some particular successes, such Things That Go Bump In The Night by *allStars, which after becoming available again appeared in lots of Hallowe’en playlists and has clocked up over 4 million streams on Spotify. Whilst Spotify pays a fraction of a penny per stream, it’s more than the nothing that these songs were earning before, due them not legally being available anywhere.

If you want to keep track of what ‘new’ old songs become available, you can follow them on Twitter/X. Usually, there’s something new each week on a Friday. It’s about the only reason I still occasionally log into Twitter nowadays. There’s also a monthly email list which I’m on, but can’t seem to find the subscribe link.

Playlist of the month: Alcohol

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Screenshot of the alcohol playlist on Spotify

Time for the fourth instalment of my Playlist of the Month, and this month, it’s all about alcohol and drinking seeing as Dry January is over. Unlike last month, this was a relatively easy topic to come up with.

Here’s the Spotify playlist if you want to listen along.

  • Drink – Alestorm. As you’d expect from a band called Alestorm, they’ve written a lot of songs about drinking over their seven (soon to be eight) albums. This was the first single from the fourth (and in my view best) album. Indeed it’s about 11 years ago since I saw them in Leeds.
  • Cigarettes and Alcohol – Oasis. I’m not a big Oasis fan but any playlist about alcohol would be remiss without this.
  • Vodka – Korpiklaani. This Finnish folk metal band has several songs about alcohol, with others including ‘Happy Little Boozer’ and ‘Bring Us Pints Of Beer’. ‘Vodka’ is probably their best.
  • Whiskey in the Jar – Metallica. It’s a traditional Irish folk song but this version by Metallica is probably its best known recording. A staple at any ceilidh.
  • Love Drunk – Boys Like Girls. You can be drunk, and indeed hungover, on love as well as alcohol, and this is one of my favourite songs in this genre.
  • Drinking in LA – Bran Van 3000. Quite the one-hit wonder from 1997.
  • Tequila – Terrorvision. A local band coming from just up the road from me in Keighley; this was probably their biggest hit thanks to a remix by Mint Royale.
  • Tubthumping – Chumbawumba. Another big song from the 1990s. Whilst Chumbawumba have released 16 albums to date, this is by far their most well-known song.
  • Drunken Lullabies – Flogging Molly. Another Irish-themed song; again, Flogging Molly have no shortage of songs about drinking but this is their most well-known song.
  • Beer – Reel Big Fish. And finally, a bit of ska to finish off.

Playlist of the month: duets

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When I started this, I thought that thinking of 10 songs each month on a common theme with a bit of context would be easy. It turns out that it’s not. I can easily think of 4-5 songs to fit a theme, but getting 10 is harder than I thought it would be. Hence why this is being posted at 9pm on the 30th January and has been typed out on my iPad.

Last month was, of course, Christmas-themed. This month, it’s all duets, and you can listen along on Spotify.

  • Rewrite The Stars – Zac Efron and Zendaya. The Greatest Showman soundtrack is just amazing. This isn’t my absolute favourite song from the album, but it’s one I come back to a lot.
  • Bring Me To Life – Evanescence. This was never intended to be a duet, and to mark the 20th anniversary of their album Fallen, Evanescence released a demo of this without the added male vocals. The band’s label felt that they wouldn’t have been successful unless this song was a duet; maybe they were right but also being featured on the soundtrack to the film Daredevil (with Ben Affleck) probably helped.
  • It’s Over – Nemesea. Less well-known and sounds a bit like an Evanescence collaboration with Linkin Park. This is my second favourite Nemesea song after ‘Caught in the Middle’ from the same album.
  • What Have You Done – Within Temptation. From the same genre as above, and as a big Within Temptation fan I needed to include at least one of their songs here. They’ve done several duets over time but this is probably their most well-known. Male vocals are provided by Mina Caputo from the band Life of Agony, before she transitioned.
  • Broken Strings – James Morrison and Nelly Furtado. I watched a lot of music TV around 2008/9 and this was massive at the time. Very catchy.
  • Beautiful South – You’re The One That I Want. Yes, it’s that song from Grease, but slowed down. I prefer this version. I think I heard it the first time in a Virgin Megastore, which dates it somewhat.
  • When You Believe – Whitney Houston and Mariah Carey. Released to promote a somewhat forgotten Dreamworks animated film called The Prince of Egypt in 1998. Both singers get to stretch their ample vocal ranges here.
  • Kids – Robbie Williams and Kylie Minogue. A big single released at the height of Robbie’s solo career and just as Kylie was getting back to her pop roots. Great thumping chorus.
  • When You’re Gone – Bryan Adams and Melanie C. Apparently Bryan originally offered this to Sheryl Cole, but this ended up being Mel C’s first solo single. There’s also a version with Pamela Anderson, but it’s geo-blocked from UK Spotify. Maybe that’s for the best.
  • The Boy Is Mine – Brandy and Monica. I bought the CD single of this back in 1998. This musical argument between the two singers allegedly reflected real world animosity, and also wouldn’t pass the Bechdel Test.

So there we go for this month. Hopefully, I’ll have another themed playlist for you for February some time within the next 4 weeks.

2023, quantified

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An AI generated image of a business woman standing in front of a series of charts with '2023' at the top

Okay, so we’re in 2024 now, but I’m taking inspiration from Diamond Geezer‘s Summing Up 2023 blog post to post some statistics on things that I’ve done during 2023.

Countries and counties visited

In 2023, I’ve visited two countries: England, obviously, and France.

Over the course of the year, I have spent at least some time in the following English counties:

  • West Yorkshire
  • North Yorkshire
  • South Yorkshire
  • Lincolnshire
  • Greater Manchester
  • Lancashire
  • Cheshire
  • Leicestershire
  • Northamptonshire
  • Norfolk
  • Hertfordshire
  • Surrey
  • Hampshire

This doesn’t include any counties that I have passed through without stopping.

Most distant points

The furthest compass points I have been to are:

  • Furthest North: RHS Harlow Carr, near Harrogate, North Yorkshire
  • Furthest South: Futuroscope, near Poitiers, France
  • Furthest East: Great Yarmouth, Norfolk
  • Furthest West: Chester Zoo, Cheshire

I think it’s fair to say that I didn’t go very far north in 2023. We will be going further north this year, but are unlikely to go as far south as we don’t have an international holiday planned.

Methods of transport used

I have driven quite a bit this year. As my car’s MOT is due each autumn, I can only estimate the mileage, but I reckon it’s around 10,000 miles over the course of the year. Quite a bit of that was in France.

Train travel has been almost exclusively to and from work – indeed, I’ve only visited four railway stations this year, and every train has been a diesel-powered train. This includes the one heritage railway that I’ve been on, which was the short remaining section of the Derwent Valley Light Railway at Murton Park, near York.

I’ve been on two trams in Manchester, and a few buses, both locally and in Leeds and York. Plus, ferries for getting to and from France. I have not been on an aeroplane since 2015.

Music listened to

My full 2023 last.fm stats are not yet available, but over the year I have scrobbled 13,194 tracks – just 254 less than in 2022. That’s an average of 36 songs per day. Assuming each song is an average of 3 minutes, that’s 39,582 minutes over the year, or 659.7 hours or around 27.5 days. In other words, I spent almost a month listening to music last year.

Whilst I don’t exclusively listen to music on Spotify, on there, pop was my top genre, following by trance, rock, pop dance and Europop this year, according to my Spotify Wrapped. My most-listened to song was ‘Shut Up and Dance’ by Walk The Moon, which I listened to 12 times. To be fair, it is a good song.

Unsurprisingly, Within Temptation was my top artist – I own six of their albums and I’ve seen them live twice.

Books read and listened to

As mentioned in my favourite things of 2023, I read 93 books this year, which adds up to over 20,000 pages according to My Goodreads Year In Books. The shortest book I read was ‘How I Proposed to my Wife: An Alien Sex Story’ by John Scalzi (sponsored link), which was 26 pages long, and the longest was ‘What Just Happened?!’ by Marina Hyde (sponsored link). The printed edition is 472 pages, although I listened to the audiobook instead which is 17 hours long. Not the longest audiobook I’ve ever listened to (that was ‘American Gods’ by Neil Gaiman – sponsored link), but certainly one of the longer ones. Overall, the average length of the books I read was 220 pages.

Beers and ciders consumed

I log the beers and ciders that I drink using Untappd, and this year I consumed 35 such drinks (a decrease from 58 in 2022). Of those, 13 were from Brewdog, which may have something to do with what I got for Christmas in 2021. Several of these were non-alcoholic beers and ciders.

Steps taken

I’ve had my Fitbit Versa 3 on my wrist almost all of the time this year, and have taken a total of 3,695,427 steps – an average of just over 10,000 per day. It also estimates that I have climbed 11347 floors, walked 2,717.1 km and burned 1,079,223 calories through exercise.

Time spent learning French

I started Duolingo’s French course on the 1st January 2022 (so I have a two year streak now), and in 2023, I spent 4,947 minutes learning – that’s 82 hours or an average of 13.5 minutes per day. I also learned 4657 new words in French last year. I’m aiming to complete the French course, which will probably see me well into 2025.

So that’s 2023 quantified. I’m sure I could offer more stats, like photos taken, podcasts listened to etc. if I tracked these throughout the year. As it is, I’m relying on various web services that track data for me that I can refer back to. I wonder how 2024 will compare?

Playlist of the month: my favourite Christmas songs

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Screenshot of the cover of my favourite Christmas songs playlist on Spotify

Now that I’m blogging regularly again, I’ve decided to start a new monthly feature where I post a playlist of 10 songs, all around a theme. Last month was guitar heavy indie rock, and this month, because it’s December, I’ve chosen Christmas music.

If you want to listen along, here’s the Spotify playlist.

  • ‘Underneath the Tree’ by Kelly Clarkson. Probably the best new-ish Christmas pop song that I’ve heard of late, although it’s still a decade old.
  • ‘Fairytale of New York’ by The Pogues and Kirsty MacColl. We’ll disregard the gay slur in the lyrics, but it’s a good song with humour. If you prefer, this cover by Grace Petrie is good too. Sadly we lost The Pogues frontman Shane MacGowan last month.
  • ‘I Wish It Could Be Christmas Every Day’ by Wizzard. Probably my favourite classic Christmas pop song, although Wizzard’s lead singer Roy Wood is a bit racist nowadays.
  • ‘Stay Another Day’ by East 17. Is this a Christmas song? The lyrics are not explicitly about Christmas, but it was a Christmas number one in 1994 in the UK and the addition of bells make it sufficiently Christmassy for me.
  • ‘Christmas Time (Don’t Let The Bells End)’ by The Darkness. There’s room for more than one glam rock band to have a Christmas song, and this mid-2000s song by The Darkness is a better ‘new’ song.
  • ‘Christmas Truce’ by Sabaton. Sabaton are a Scandinavian metal band who sing historically accurate songs about war. This one is about the Christmas Truce from the First World War.
  • ‘Last Christmas’ by Carly Rae Jepson. Whamhalla is over for 2023 – I got out after just 36 hours this year. But if you were playing, then covers didn’t count, and this is my favourite cover version.
  • ‘Jingle Bell Rock’ by Our Last Night. This metal cover band pops up regularly in my Release Radar playlist on Spotify, as they release new songs regularly. This is their interpretation of this Christmas classic.
  • ‘Merry Axe-Mas’ by Nine Inch Nails. More metal, but not a cover this time.
  • ‘Wonderful Christmastime’ by Pentatonix. Paul McCartney’s original has always been just a bit too eighties for me. I prefer this a cappella version.

I’ll be back with another playlist sometime in January.

Playlist of the month: guitar-heavy indie rock

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Screenshot of the guitar heavy indie rock playlist on Spotify

Now that I’m blogging regularly again, I’ve decided to start a new monthly feature where I post a playlist of 10 songs, all around a theme. With a few hours to go until the end of the month, here’s this month’s playlist.

These songs are all indie rock songs with a big guitar riffs, and are some of my favourite songs. If you want to listen along, here’s the Spotify playlist.

  • ‘Steve McQueen’ by The Automatic. This was the first single from this band’s second album, ‘This Is A Fix’. It starts with thumping guitars, and never lets up. Whilst The Automatic are best known for their debut single, ‘Monster’, this is my favourite.
  • ‘When We Wake Up’ by Asylums. I can’t quite remember how I came across this song but it’s great, and only has around 60,000 streams on Spotify so far. There’s a catchy chorus and powerful guitar riffs all of the way through.
  • ‘Praise Be’ by The Plea. Another less well-known band who I found out about because they supported Ash on tour. I really like this song and it’s surprising that it’s not more well known.
  • ‘Boulevard of Broken Dreams’ by Green Day. I’m sure people will argue whether this fits the theme, but I would argue that it’s one of their best songs from their best album.
  • ‘Ruby’ by Kaiser Chiefs. The first single from their second album, with strong guitars from the start and a catchy chorus.
  • ‘Nothing’ by A. Calling your band ‘A’ probably made sense in the days when people bought singles from high street record stores, but the move to digital platforms makes this song a little harder to find.
  • ‘Dirty Little Secret’ by The All-American Rejects. Another first single from a second album; whilst it’s not my favourite song by this band, it fits the theme.
  • ‘I Bet You Look Good On The Dancefloor’ by Arctic Monkeys. Their debut single, and their best, in my view. I know it’s a controversial opinion but none of their subsequent singles have been as good as this.
  • ‘Orpheus’ by Ash. I mentioned Ash earlier, and as they’re the band I’ve seen the most (three times) I should include one of theirs.
  • ‘Just A Day’ by Feeder. Originally a B-side to ‘Seven Days In The Sun’, this ended up being a single for a later Greatest Hits album, and is arguably among their best songs.

I’ll do another playlist of 10 songs next month. With it being December, no prizes for guessing the theme.

Professor Elemental

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Professor Elemental

Sunday’s visit to Thought Bubble wasn’t our only Steampunk-related outing last week. On Thursday, we went to see Professor Elemental, again in Leeds at The New Roscoe.

Christine and I have been fans for a while, but this was our first opportunity to see him perform live. His music is in a rather niche sub-genre called ‘chap hop‘ – imagine hip-hop, but with moustachioed English gentlemen rapping about tea and splendid trips to the seaside. Consequently, Professor Elemental has a major following in the steampunk community.

Biscuithead and the Biscuit Badgers

Local band Biscuithead and the Biscuit Badgers were the support act, in somewhat reduced circumstances as their drummer had a family medical emergency. Their music is wonderfully whimsical, with songs about David Attenborough, model railways, tweed jackets, and the folk who live on their local street. Whilst a rather different style of music to the main act, it fitted the offbeat nature of the gig.

Professor Elemental came on later, having sat in the audience for the support act; this was a small venue and there were only around 50-60 attendees. After powering through a medley of songs, he improvised a rap based on word suggestions from the audience, which included ‘antiquity’, ‘flange’, ‘antidisestablishmentarianism‘ and ‘nipple’. It was an impressive feat. Audience participation was also requested for his newer song Don’t Feed The Trolls.

Christine and I had come straight from work, and the weather was inclement to say the least, so we had left our steampunk outfits at home to save them for Thought Bubble, but many others were dressed up in appropriate attire. At one point, someone dressed as a giraffe crawled across the stage, and that probably wasn’t the strangest thing that happened.

Whilst it helped that many of the audience were genuine fans, it was a great, intimate gig – equal parts enjoyable and amusing. Professor Elemental isn’t on tour, per se, but he has a few more live gigs coming up around the country in the run up to Christmas – I’d definitely recommend going to see him.

Little Shop of Horrors

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This coming Thursday, my wife Christine will be featuring in an amateur production of Little Shop of Horrors, along with other students from the University of Bradford where I work. It’s on at The New Bradford Playhouse and runs until Saturday.

As well as playing a character in the show, Christine has been helping out for a number of weeks now, and I also spent much of the weekend helping and/or hindering the technical team as they set up in the theatre. It promises to be a good show, and the puppets they’re using look really good.

So, if you’re available on Thursday, Friday or Saturday nights this week, we’d both very much appreciate it if you were able to come along. Tickets can be purchased online here.

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