Butterfly Tale

Film poster for Butterfly Tale

At the weekend, I took our 8-year-old to see Butterfly Tale at the cinema. It was only released in the UK on Friday, but has been on general release elsewhere as early as October. It’s a joint Germany and Canada production – indeed, the first minute of the film is just the various logos of producers, distributors and funders. I hadn’t heard of it before, and according to iMDB, it’s grossed less than a $1million so far.

The film is based on the migration of Monarch butterflies. The main characters are Patrick, a butterfly with mis-sized wings who can’t fly, and his friend Marty, who is still a caterpillar. Because they can’t fly, they have to come up with a plan to join the rest of the butterflies on their migration.

It is very much a film for kids. Indeed, our eight-year-old really enjoyed it. It’s not a ground-breaking piece of cinema, and I wouldn’t necessarily recommend seeing it at the cinema unless you have young kids. The animation and story are nothing special. It’s likely to be the sort of random film that you can let you kids watch on streaming if it’s a wet afternoon and you need some peace. Indeed, seeing as the UK is one of the last countries to see a cinema release, I imagine it’s already on streaming services elsewhere.

Most cinema chains seem to have at least a few showings of it right now. When we saw it, there were only around 10 people at the showing – despite it being at the biggest screen. I suspect it’ll have a rather limited run in cinemas.

Wonka and Wish

Posters for the films 'Wonka' and 'Wish'

Over the Christmas period, we watched a couple of films at the cinema – Wonka, and Wish.

Wonka

Wonka is set up as a prequel to the 1970s film Willy Wonka and the Chocolate Factory, and so has a broadly similar visual style. It’s not related to the 2005 adaptation with Johnny Depp, presumably because Depp isn’t much in favour nowadays.

As Roald Dahl passed away in 1990, the film has been made with the involvement of his estate, but was written by Simon Farnaby and Paul King. Farnaby has written for and starred in Horrible Histories, Yonderland and Ghosts, and King directed both of the recent critically acclaimed Paddington films. Their talent shows through, as does their respect for Dahl’s work; I imagine if Dahl himself had been involved in writing the screenplay for Wonka, it would be similar to this.

So it’s a good film. My only major criticism would be that it’s a bit twee in places. There’s also been some controversy over the casting of Hugh Grant as an Oompa Loompa, rather than someone like Peter Drinklage who would probably also do well in the role. However, I think Grant is excellent, and like with his role in the recent Dungeons and Dragons film, it’s good to see him playing roles that aren’t variations of a confused English gentlemen.

Wish

Wish is the latest animated Disney film, and the one that marks Disney’s 100th anniversary (which is why their first short film, Steamboat Willie, is now in the public domain). I’d like to say it’s as good as recent Disney animated films like Encanto and Frozen… but it isn’t.

It’s not bad, but we’ve seen better from Disney. To sum it up, it’s as if an AI was asked to generate a Disney film in a certain style. All the ingredients that would make a good film are there, but they just don’t seem to work together. As someone who generates AI artwork for my blog posts, I’m aware of their limitations and their tendency to not understand how things fit together. I’m not saying Disney used an AI here, but it feels like they’re trying too hard to imitate something without understanding what makes them great.

The soundtrack, for example, seems to be trying too hard to imitate films like The Greatest Showman. A case in point is the song “This Is the Thanks I Get?!”, sung by Chris Pine’s character. It’s supposed to be an angry song, but comes across as rather upbeat.

Wish came out in the UK in November so probably won’t be in cinemas much longer. However, given the choice, I would recommend Wonka over Wish.